Ying-ju chen

<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Ying-ju chen</title>
	<link>https://chenyingju.com</link>
	<description>Ying-ju chen</description>
	<pubDate>Tue, 06 Oct 2026 20:18:22 +0000</pubDate>
	<generator>https://chenyingju.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Ying-Ju Chen</title>
				
		<link>https://chenyingju.com/Ying-Ju-Chen</link>

		<pubDate>Mon, 07 Sep 2020 16:24:21 +0000</pubDate>

		<dc:creator>Ying-ju chen</dc:creator>

		<guid isPermaLink="true">https://chenyingju.com/Ying-Ju-Chen</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://chenyingju.com/About</link>

		<pubDate>Sat, 05 Sep 2020 02:50:49 +0000</pubDate>

		<dc:creator>Ying-ju chen</dc:creator>

		<guid isPermaLink="true">https://chenyingju.com/About</guid>

		<description>
	陳映儒
Interactive &#38;amp; Visual Design


A scientist’s curiosity drives my artistic creation.&#38;nbsp;From Taiwan, I am now working in the U.S. and focus on mixed-media visual works that incorporate physics and visual expression. My expertise includes XR immersive experience design, visual design, video production, and multimedia creation.

I am also excellent in team management, coordination, and artist project management, with additional hands-on skills in wood/metal fabrication, as well as creative coding. Bridging the digital and physical forms, I create sensory and spatial experiences that combine conceptual thinking with technical execution.


︎ Education
M.S. in Media Arts and Sciences - Extended Reality Technologies (ASU, USA)
M.A. in Applied Arts (NCTU, TW)B.S. in Applied Physics (THU, TW)
︎ Work ExperiencesI has experience for various projects, including XR, creative coding, graphic design, UI&#38;amp;UX, animation, and multi-disciplinary projects. She also served as a project manager for the international cooperation, working on planning and managing the theatre teamwork.


︎︎︎ CV&#38;nbsp; &#38;nbsp;&#38;nbsp;︎︎︎ Resume

	&#60;img width="1047" height="472" src="https://freight.cargo.site/w/600/q/75/i/d8147b0664335955218534ddcdfb3151f072203c0f4e4d79ed8236101e02a7cd/IMG_1240.JPG" style="width: 192.608px; height: 86.83px;" data-scale="86"&#62;︎&#38;nbsp;Contact︎ YING JU CHEN
︎chenyingju.tw@gmail.com ︎@yingju.tw


	︎ Works
	︎ Home
</description>
		
	</item>
		
		
	<item>
		<title>Works</title>
				
		<link>https://chenyingju.com/Works</link>

		<pubDate>Tue, 30 Jan 2024 16:41:17 +0000</pubDate>

		<dc:creator>Ying-ju chen</dc:creator>

		<guid isPermaLink="true">https://chenyingju.com/Works</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>+886</title>
				
		<link>https://chenyingju.com/886</link>

		<pubDate>Tue, 06 Oct 2026 19:47:32 +0000</pubDate>

		<dc:creator>Ying-ju chen</dc:creator>

		<guid isPermaLink="true">https://chenyingju.com/886</guid>

		<description>Interative Installation, 2026&#38;nbsp;
+886

	&#60;img width="2572" height="1214" width_o="2572" height_o="1214" data-src="https://freight.cargo.site/t/original/i/265363eb00b7208903907a057bb380196bd9c24c16a747fcda6cfc67f1305583/-886.png" data-mid="252950578" border="0"  src="https://freight.cargo.site/w/1000/i/265363eb00b7208903907a057bb380196bd9c24c16a747fcda6cfc67f1305583/-886.png" /&#62;


+886 is an interactive installation that reimagines making a phone call as an immersive audiovisual journey through Taiwan. +886 is Taiwan's
international dialing code — and in Mandarin, "886" is a homophone of bye-bye lo ("goodbye"), carrying the dual meanings of connection and parting. Using a physical numeric keypad, each key press advances the narrative, triggering the next fragment of Taiwanese memory and culture within a TouchDesigner-driven system integrating live street footage, environmental sounds, and cultural
content. By visualizing the emotional rituals of calling across distance, +886 amplifies everyday voices, memories, and cultural connections that often remain unseen.

	Designer: Ying-Ju ChenRole: Interative design, Installaion
</description>
		
	</item>
		
		
	<item>
		<title>Playground</title>
				
		<link>https://chenyingju.com/Playground</link>

		<pubDate>Tue, 06 Oct 2026 20:18:22 +0000</pubDate>

		<dc:creator>Ying-ju chen</dc:creator>

		<guid isPermaLink="true">https://chenyingju.com/Playground</guid>

		<description>Immersive Experience, 2026&#38;nbsp;
Playground

	&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/f9f7b1bcb7a824e609a6b2fc179cbb06658687a835b57c9d94b7731d37167c39/DSC06973.jpg" data-mid="252950972" border="0"  src="https://freight.cargo.site/w/1000/i/f9f7b1bcb7a824e609a6b2fc179cbb06658687a835b57c9d94b7731d37167c39/DSC06973.jpg" /&#62;


Audiences navigate the environment using red glasses that reveal hidden visual layers and alternative viewpoints within the space. As they explore, ordinary scenes gradually transform into fragmented memories, emotions, and unexpected details - inviting audiences to look beyond what is immediately visible.


Inspired by the idea that "you can only see what you see — not the whole picture," the work reflects on the limitations of perception and the hidden layers that exist within daily routines. Through interaction and play, the experience encourages audiences to shift perspectives and rediscover the familiar in new


	Designer: Ying-Ju ChenRole: Interative design, Installaion
</description>
		
	</item>
		
		
	<item>
		<title>If I Were A Cup</title>
				
		<link>https://chenyingju.com/If-I-Were-A-Cup</link>

		<pubDate>Sat, 05 Sep 2020 02:50:48 +0000</pubDate>

		<dc:creator>Ying-ju chen</dc:creator>

		<guid isPermaLink="true">https://chenyingju.com/If-I-Were-A-Cup</guid>

		<description>VR/Animation/Installation, 2019&#38;nbsp;
If I were a cup

	When parents talk to their kids, they often say, "Take care of your belongings, or
they might end up damaged." In our daily routines, it's easy to overlook the small
details because we're so accustomed to using them. So, we had this idea: "What
if we put ourselves in the shoes of those objects?"
	&#60;img width="1370" height="770" width_o="1370" height_o="770" data-src="https://freight.cargo.site/t/original/i/0417fbedbf98d8432404569e621adcbcd7bda6bc766ecc4318eb39352928a6d0/IMG_6193.jpg" data-mid="82334383" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/0417fbedbf98d8432404569e621adcbcd7bda6bc766ecc4318eb39352928a6d0/IMG_6193.jpg" /&#62;


&#60;img width="1146" height="812" width_o="1146" height_o="812" data-src="https://freight.cargo.site/t/original/i/06d81660731bfb63c8d87a91f70d612429ea0cea337878f63da0ced01ab9568a/-2024-02-07-10.43.09.png" data-mid="204057369" border="0" data-scale="90" data-no-zoom src="https://freight.cargo.site/w/1000/i/06d81660731bfb63c8d87a91f70d612429ea0cea337878f63da0ced01ab9568a/-2024-02-07-10.43.09.png" /&#62;

	
This led to the creation of a game that combines the VR experience of being a cup
with a rhythm-action game. In this virtual world, The VR user wearing the VR
headset becomes the cup through 360-degree video and devices. They not only
see the cup from a new perspective but also feel it through visual cues and tactile
feedback. On the other side, gamers take on the role of controllers, using devices
to interact with and apply force to the cup. They control the devices by following
icons and visual guides to convey each action in the virtual scenario. This two-way
interaction fosters a sense of empathy for the object, making players more
considerate the next time they use a cup—perhaps giving it a gentle shake.
	Experience of a cup in VR through Rhythm-action game &#38;amp; device

&#60;img width="1304" height="744" width_o="1304" height_o="744" data-src="https://freight.cargo.site/t/original/i/ceb3400e2e266c4c10b521ce84ec0760708ad4c9c4a97674afdd98d4b03a5ccc/-2024-02-07-10.43.33.png" data-mid="204057370" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/ceb3400e2e266c4c10b521ce84ec0760708ad4c9c4a97674afdd98d4b03a5ccc/-2024-02-07-10.43.33.png" /&#62;
&#60;img width="1310" height="706" width_o="1310" height_o="706" data-src="https://freight.cargo.site/t/original/i/b89b46c46c75418fd3f1315b1565b91dec3e09dd23d532f1d813c7548e8d5c95/-2024-02-07-10.43.59.png" data-mid="204057371" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/b89b46c46c75418fd3f1315b1565b91dec3e09dd23d532f1d813c7548e8d5c95/-2024-02-07-10.43.59.png" /&#62;

The game setup one VR user and at least 2 gamer to play

					
VR &#38;amp; 360°video

				
					This system included 3 devices to achieve the tactile feedbacks for
different actions in rhythm game.

				
&#60;img width="1544" height="1258" width_o="1544" height_o="1258" data-src="https://freight.cargo.site/t/original/i/f7e99d83f7a8ddb8456b97406f15da5a30f1245681d902ce49ebe55ef3f289fa/-2024-02-07-10.45.04.png" data-mid="204057373" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/f7e99d83f7a8ddb8456b97406f15da5a30f1245681d902ce49ebe55ef3f289fa/-2024-02-07-10.45.04.png" /&#62;
Safety

&#60;img width="654" height="290" width_o="654" height_o="290" data-src="https://freight.cargo.site/t/original/i/32f5e7bdfefcd7a9e2bbff6422d914a3d17e2384648f212a678f45a6f0cf8ff1/-2024-02-07-10.45.31.png" data-mid="204057374" border="0"  src="https://freight.cargo.site/w/654/i/32f5e7bdfefcd7a9e2bbff6422d914a3d17e2384648f212a678f45a6f0cf8ff1/-2024-02-07-10.45.31.png" /&#62;
&#60;img width="998" height="298" width_o="998" height_o="298" data-src="https://freight.cargo.site/t/original/i/06c43ccf3305e3da00d332d83d71d1a6680200ab9ef6301e6be083d993e4495a/-2024-02-07-10.45.43.png" data-mid="204057375" border="0"  src="https://freight.cargo.site/w/998/i/06c43ccf3305e3da00d332d83d71d1a6680200ab9ef6301e6be083d993e4495a/-2024-02-07-10.45.43.png" /&#62;


Rythm game
In rythm game, players follow visual guidances to complete these motion.

				
					Process of design: start from a chair and a folding trolley
&#60;img width="1874" height="618" width_o="1874" height_o="618" data-src="https://freight.cargo.site/t/original/i/5bc0a68724950c212939a6befbafb02c26a496cd54958cd121865eaed40fb0d8/-2024-02-07-10.46.50.png" data-mid="204057377" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/5bc0a68724950c212939a6befbafb02c26a496cd54958cd121865eaed40fb0d8/-2024-02-07-10.46.50.png" /&#62;


&#60;img width="1978" height="482" width_o="1978" height_o="482" data-src="https://freight.cargo.site/t/original/i/b4f1a586d095ccfc09104258407b2f46fe4fbe2270f3714b34a406b8a86cf717/-2024-02-07-10.47.09.png" data-mid="204057378" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/b4f1a586d095ccfc09104258407b2f46fe4fbe2270f3714b34a406b8a86cf717/-2024-02-07-10.47.09.png" /&#62;using the wooden stucture to fix on the trolley


&#60;img width="1972" height="600" width_o="1972" height_o="600" data-src="https://freight.cargo.site/t/original/i/575ac5771732c2b1604fbf53ef79638972aa9322783e4aa4b4a57e2e02e481e1/-2024-02-07-10.47.21.png" data-mid="204057379" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/575ac5771732c2b1604fbf53ef79638972aa9322783e4aa4b4a57e2e02e481e1/-2024-02-07-10.47.21.png" /&#62;
making the pipe stand by laser cutting and cement
&#60;img width="1968" height="590" width_o="1968" height_o="590" data-src="https://freight.cargo.site/t/original/i/610c1cb577a8794f97dfa448830c01a4bba7aa0118d0b01c476a56f922eaa5fa/-2024-02-07-10.47.29.png" data-mid="204057380" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/610c1cb577a8794f97dfa448830c01a4bba7aa0118d0b01c476a56f922eaa5fa/-2024-02-07-10.47.29.png" /&#62;
sewing the Cotton tapes to make safe instruments between the human body and chair


	The detailed of haptic feedback devices
&#60;img width="878" height="1241" width_o="878" height_o="1241" data-src="https://freight.cargo.site/t/original/i/d76c7caf177ca9b2f7ed00bf76a3ec25d11a76113ddbd65581200313408e7e9e/2024Portfolio_En2-05.jpg" data-mid="204057368" border="0" data-scale="90" src="https://freight.cargo.site/w/878/i/d76c7caf177ca9b2f7ed00bf76a3ec25d11a76113ddbd65581200313408e7e9e/2024Portfolio_En2-05.jpg" /&#62;
&#60;img width="746" height="1264" width_o="746" height_o="1264" data-src="https://freight.cargo.site/t/original/i/d05173f74d634b277279b756ef9ba43c56dadf61d842832283f7280bcbd8f936/-2024-02-07-10.48.58.png" data-mid="204057381" border="0" data-scale="90" src="https://freight.cargo.site/w/746/i/d05173f74d634b277279b756ef9ba43c56dadf61d842832283f7280bcbd8f936/-2024-02-07-10.48.58.png" /&#62;


Presentation&#60;img width="1736" height="1158" width_o="1736" height_o="1158" data-src="https://freight.cargo.site/t/original/i/c805f8cb180984c88e94fe192dd45fde539c52e6f0d78a0d8eb1642336d7c1d5/-2024-02-07-10.49.39.png" data-mid="204057382" border="0" data-scale="85" data-no-zoom src="https://freight.cargo.site/w/1000/i/c805f8cb180984c88e94fe192dd45fde539c52e6f0d78a0d8eb1642336d7c1d5/-2024-02-07-10.49.39.png" /&#62;
&#60;img width="1738" height="1160" width_o="1738" height_o="1160" data-src="https://freight.cargo.site/t/original/i/c54448185f477df78ac9cdf5fe82213ea8875ae794b1e05a7240f286d77aa63a/-2024-02-07-10.49.51.png" data-mid="204057383" border="0" data-scale="85" data-no-zoom src="https://freight.cargo.site/w/1000/i/c54448185f477df78ac9cdf5fe82213ea8875ae794b1e05a7240f286d77aa63a/-2024-02-07-10.49.51.png" /&#62;


	透過VR讓玩家可以成為一個杯子，並且經驗一個杯子的感受，過程中將有另外兩個人使用設計的裝置完成節奏遊戲，並控制VR玩家，以此增加體感經驗。外面的人玩節奏遊戲，裡面的人成為被動的杯子。

Designer: Ying-Ju Chen, Pin-Hsuan HuangRole: XR, animation, interactive device design and making
</description>
		
	</item>
		
		
	<item>
		<title>Presence and Absence</title>
				
		<link>https://chenyingju.com/Presence-and-Absence</link>

		<pubDate>Thu, 10 Sep 2020 10:33:50 +0000</pubDate>

		<dc:creator>Ying-ju chen</dc:creator>

		<guid isPermaLink="true">https://chenyingju.com/Presence-and-Absence</guid>

		<description>Visual experiment,&#38;nbsp;2017 - Now

	
Presence and Absence


In physics,&#38;nbsp;Seeing: presence and absence, it is based on different color, molding of image and light on figures. The change occurring as viewing will expand the possibility in visual narrative.&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/50352b20a0773ed27dd4639bef9fde51e2d0c9e9036b17248500f7f4950bf0aa/01.jpg" data-mid="82333671" border="0" data-scale="85" data-no-zoom src="https://freight.cargo.site/w/1000/i/50352b20a0773ed27dd4639bef9fde51e2d0c9e9036b17248500f7f4950bf0aa/01.jpg" /&#62;
What’s inside?
(The first visual experimental picture book)


	Design similar images and change the colour and shapes to create a different visual narrative under the red magnifier.
All design principles refer to the science of light and colour in comprehensive visual experiments.

&#60;img width="1840" height="676" width_o="1840" height_o="676" data-src="https://freight.cargo.site/t/original/i/34f4d3d3b931f665d109bb2528f76aaa5ad10e9466c2d6da2995565c0f615e84/01.png" data-mid="205458393" border="0" data-scale="90" data-no-zoom src="https://freight.cargo.site/w/1000/i/34f4d3d3b931f665d109bb2528f76aaa5ad10e9466c2d6da2995565c0f615e84/01.png" /&#62;

&#60;img width="1616" height="708" width_o="1616" height_o="708" data-src="https://freight.cargo.site/t/original/i/002e43d017d45aee02935033f057055417daf7ca10fda3952f6b58bb617e8cf4/02.png" data-mid="205458394" border="0" data-no-zoom="true" alt="the images in a similar composition" data-caption="the images in a similar composition" src="https://freight.cargo.site/w/1000/i/002e43d017d45aee02935033f057055417daf7ca10fda3952f6b58bb617e8cf4/02.png" /&#62;
&#60;img width="1646" height="740" width_o="1646" height_o="740" data-src="https://freight.cargo.site/t/original/i/932d13ca4fe48ce88cc1e5bd5d34646101ba839489111fb4c5ed483265f487e0/03.png" data-mid="205458395" border="0" data-no-zoom="true" alt="the similar images under the red filter" data-caption="the similar images under the red filter" src="https://freight.cargo.site/w/1000/i/932d13ca4fe48ce88cc1e5bd5d34646101ba839489111fb4c5ed483265f487e0/03.png" /&#62;


Principles of the visual experiments

&#60;img width="1220" height="1288" width_o="1220" height_o="1288" data-src="https://freight.cargo.site/t/original/i/c26d8ffdd71f27ae10d5d4282f897215f85a0369459b6d2ede1ae7bca8775887/.png" data-mid="203634800" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/c26d8ffdd71f27ae10d5d4282f897215f85a0369459b6d2ede1ae7bca8775887/.png" /&#62;
&#60;img width="931" height="711" width_o="931" height_o="711" data-src="https://freight.cargo.site/t/original/i/441e02cee093499e6be47bb9bed47a3a447ab39d8af477374a24875fc6c99b13/-05.jpg" data-mid="205485216" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/931/i/441e02cee093499e6be47bb9bed47a3a447ab39d8af477374a24875fc6c99b13/-05.jpg" /&#62;
&#60;img width="931" height="615" width_o="931" height_o="615" data-src="https://freight.cargo.site/t/original/i/574b359749ba6751845d7ce16d30943818c1c07ed12194202eb1b2e14afb5427/-06.jpg" data-mid="205485217" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/931/i/574b359749ba6751845d7ce16d30943818c1c07ed12194202eb1b2e14afb5427/-06.jpg" /&#62;


	Two picture books based on this visual experiment

&#60;img width="1958" height="904" width_o="1958" height_o="904" data-src="https://freight.cargo.site/t/original/i/0f8937744bc1a90705494229ad5ba23ce65b90694f1dfa34b5ff7c908afad69c/-2024-02-26-2.21.43.png" data-mid="205459283" border="0" data-no-zoom="true" alt="Looking through my glasses" data-caption="Looking through my glasses" src="https://freight.cargo.site/w/1000/i/0f8937744bc1a90705494229ad5ba23ce65b90694f1dfa34b5ff7c908afad69c/-2024-02-26-2.21.43.png" /&#62;
&#60;img width="1104" height="1128" width_o="1104" height_o="1128" data-src="https://freight.cargo.site/t/original/i/6c084b5e651da66700d14e7f40e80369a4c1f3bbe033f148c027deb9de2074c0/-2024-02-26-3.32.53.png" data-mid="205459305" border="0" data-no-zoom="true" alt="Welcome Home" data-caption="Welcome Home" src="https://freight.cargo.site/w/1000/i/6c084b5e651da66700d14e7f40e80369a4c1f3bbe033f148c027deb9de2074c0/-2024-02-26-3.32.53.png" /&#62;


物理學上，「光、物體、眼睛」稱為視覺三要素。若在光與物體之間重新設計，人眼將感受到不同的視覺。利用光與色彩之間的關係，改變視覺中的光源、顏色及構圖，產生觀看時的變化。觀看中的顯現與不顯現，為視覺設計提供更多敘事的空間。


VIEW MORE ︎</description>
		
	</item>
		
		
	<item>
		<title>Make The Robot Light</title>
				
		<link>https://chenyingju.com/Make-The-Robot-Light</link>

		<pubDate>Sat, 05 Sep 2020 02:50:47 +0000</pubDate>

		<dc:creator>Ying-ju chen</dc:creator>

		<guid isPermaLink="true">https://chenyingju.com/Make-The-Robot-Light</guid>

		<description>
	Paper circuit, 2017

Make The Robot Light


	&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/00d0ad5b3d69f3cc759951be91767a3c7b0b03fcb82a606efa83c29d03302f1d/Webp.net-gifmaker.gif" data-mid="82276303" border="0" data-scale="90" data-no-zoom src="https://freight.cargo.site/w/1000/i/00d0ad5b3d69f3cc759951be91767a3c7b0b03fcb82a606efa83c29d03302f1d/Webp.net-gifmaker.gif" /&#62;
	The card is designed for Hsinchu Mini Maker Faire in 2018. Guests could follow the steps on the card and visit each stalls to get the electronics components. After that, they could make the robot light by folding the card. When people visit the Maker Faire, they are going to become makers.
&#60;img width="1508" height="1142" width_o="1508" height_o="1142" data-src="https://freight.cargo.site/t/original/i/9ade680f01283f195adf25d4dcb02c9463fae302efe377cae57308f7a7e435b8/Make-robot-01.png" data-mid="203630599" border="0"  src="https://freight.cargo.site/w/1000/i/9ade680f01283f195adf25d4dcb02c9463fae302efe377cae57308f7a7e435b8/Make-robot-01.png" /&#62;


	&#60;img width="1702" height="2411" width_o="1702" height_o="2411" data-src="https://freight.cargo.site/t/original/i/eb8c8c837370020eae86d16e9a83516d73e72f155b7d2300ff6f5cca516112f0/Make-robot-04.png" data-mid="203630602" border="0"  src="https://freight.cargo.site/w/1000/i/eb8c8c837370020eae86d16e9a83516d73e72f155b7d2300ff6f5cca516112f0/Make-robot-04.png" /&#62;the front of paper

	&#60;img width="1702" height="2411" width_o="1702" height_o="2411" data-src="https://freight.cargo.site/t/original/i/1ca629926d192ee5e0ddfa7a286791fe8e76386d0ebd426dca1af15ecbfb9a65/Make-robot-05.png" data-mid="203630603" border="0"  src="https://freight.cargo.site/w/1000/i/1ca629926d192ee5e0ddfa7a286791fe8e76386d0ebd426dca1af15ecbfb9a65/Make-robot-05.png" /&#62;the back of paper


&#60;img width="1766" height="1058" width_o="1766" height_o="1058" data-src="https://freight.cargo.site/t/original/i/ff11d977674c602e0fb14f6f81dd3c0f05a14d4cbb0237d8c04a76ef933eb4c0/Make-robot-02.png" data-mid="203630600" border="0" data-scale="90" data-no-zoom src="https://freight.cargo.site/w/1000/i/ff11d977674c602e0fb14f6f81dd3c0f05a14d4cbb0237d8c04a76ef933eb4c0/Make-robot-02.png" /&#62;

&#60;img width="1764" height="1316" width_o="1764" height_o="1316" data-src="https://freight.cargo.site/t/original/i/ee0a3772d4621ffcc3f046e5ef69e1a4bc7c6d2e65634aba65cda67cb85056c0/Make-robot-03.png" data-mid="203630601" border="0" data-scale="90" data-no-zoom src="https://freight.cargo.site/w/1000/i/ee0a3772d4621ffcc3f046e5ef69e1a4bc7c6d2e65634aba65cda67cb85056c0/Make-robot-03.png" /&#62;


點亮機器人，是為2018年新竹自造者嘉年華所設計的活動。參加者依照DM上的指示參觀攤位，可以得到電子元件並讓紙上機器人的眼睛發光，藉由參觀及製作的過程，每一位參加者都能體驗自造者精神。
Client: Hsinchu mini maker faire</description>
		
	</item>
		
		
	<item>
		<title>Danfo VR</title>
				
		<link>https://chenyingju.com/Danfo-VR</link>

		<pubDate>Thu, 25 Dec 2025 03:17:34 +0000</pubDate>

		<dc:creator>Ying-ju chen</dc:creator>

		<guid isPermaLink="true">https://chenyingju.com/Danfo-VR</guid>

		<description>Virtual Reality, 2025
Danfo VR

Imagine being able to experience Lagos without actually travelling to Nigeria.
Danfo is an immersive experience that recreates the dynamic experience of riding a Danfo bus through the bustling streets of Lagos. Through a fusion of visuals, soundscapes, and interactivity, danfo hopes to transports visitors into the heart of the city, capturing its energy, chaos, and vibrancy.


	&#60;img width="1173" height="655" width_o="1173" height_o="655" data-src="https://freight.cargo.site/t/original/i/23b3c73894476463a70986c77d7354c9d14d45af5b418cc241aaaba64a5fe099/-2025-12-24-11.29.53.png" data-mid="242150691" border="0"  src="https://freight.cargo.site/w/1000/i/23b3c73894476463a70986c77d7354c9d14d45af5b418cc241aaaba64a5fe099/-2025-12-24-11.29.53.png" /&#62;

	Design Process
Danfo Models&#60;img width="1186" height="658" width_o="1186" height_o="658" data-src="https://freight.cargo.site/t/original/i/e4fa42008b0b6cae57465a485c61bc41f90303844f5c38f281972e652a8a5999/-2025-12-24-11.43.16.png" data-mid="242150717" border="0"  src="https://freight.cargo.site/w/1000/i/e4fa42008b0b6cae57465a485c61bc41f90303844f5c38f281972e652a8a5999/-2025-12-24-11.43.16.png" /&#62;


Technical Development
&#60;img width="720" height="287" width_o="720" height_o="287" data-src="https://freight.cargo.site/t/original/i/b9ad8b22102320c013b5cd794f5febb3b67276c9ae3310ccaffc4ad5f80701fa/-2025-12-24-11.32.27.png" data-mid="242150696" border="0"  src="https://freight.cargo.site/w/720/i/b9ad8b22102320c013b5cd794f5febb3b67276c9ae3310ccaffc4ad5f80701fa/-2025-12-24-11.32.27.png" /&#62;
How We Created the Buildings of Lagos

&#60;img width="1156" height="365" width_o="1156" height_o="365" data-src="https://freight.cargo.site/t/original/i/36c33f504d2b31f6fc689f87652339af0a0b8cd8aba35d4a30da1220a2cbc99e/-2025-12-24-11.49.58.png" data-mid="242150728" border="0"  src="https://freight.cargo.site/w/1000/i/36c33f504d2b31f6fc689f87652339af0a0b8cd8aba35d4a30da1220a2cbc99e/-2025-12-24-11.49.58.png" /&#62;A major part of this project involved reconstructing Lagos in 3D from scratch. We gathered architectural references from Google Maps and street-level photography, collected visual details from local businesses and landmarks, and even sourced real-world textures from places Odi grew up seeing. We also used AI to generate 2D concept art, which was then translated into 3D assets in Blender.
&#60;img width="1164" height="558" width_o="1164" height_o="558" data-src="https://freight.cargo.site/t/original/i/e2e5ff045e1bc437d2c693c480c156d4d48a78f66b87cb24c6885541d222acf7/-2025-12-24-11.52.37.png" data-mid="242150729" border="0"  src="https://freight.cargo.site/w/1000/i/e2e5ff045e1bc437d2c693c480c156d4d48a78f66b87cb24c6885541d222acf7/-2025-12-24-11.52.37.png" /&#62;
&#60;img width="1166" height="522" width_o="1166" height_o="522" data-src="https://freight.cargo.site/t/original/i/ee4e9c252318c67bc6523d5af4f115a097665a7f292d79ef323e3709e27a66cd/-2025-12-24-11.52.54.png" data-mid="242150730" border="0"  src="https://freight.cargo.site/w/1000/i/ee4e9c252318c67bc6523d5af4f115a097665a7f292d79ef323e3709e27a66cd/-2025-12-24-11.52.54.png" /&#62;&#60;img width="1165" height="476" width_o="1165" height_o="476" data-src="https://freight.cargo.site/t/original/i/a185509553b06cf2054b017b5c4a174bcae4ced2cf9fe3e769a3383d1a7b9a01/-2025-12-24-11.53.23.png" data-mid="242150732" border="0"  src="https://freight.cargo.site/w/1000/i/a185509553b06cf2054b017b5c4a174bcae4ced2cf9fe3e769a3383d1a7b9a01/-2025-12-24-11.53.23.png" /&#62;&#60;img width="1172" height="496" width_o="1172" height_o="496" data-src="https://freight.cargo.site/t/original/i/dc3d9a0c8c25d532403272b27ad167a0a8d822ac55b7f4993ca0ba723a845070/-2025-12-24-11.53.10.png" data-mid="242150731" border="0"  src="https://freight.cargo.site/w/1000/i/dc3d9a0c8c25d532403272b27ad167a0a8d822ac55b7f4993ca0ba723a845070/-2025-12-24-11.53.10.png" /&#62;


					Virtual Environment View&#60;img width="1092" height="395" width_o="1092" height_o="395" data-src="https://freight.cargo.site/t/original/i/1b0734d881d874b3c32f71335918c1612ea697fad45cc1e2073d6940933ba2e7/-2025-12-24-11.47.38.png" data-mid="242150726" border="0"  src="https://freight.cargo.site/w/1000/i/1b0734d881d874b3c32f71335918c1612ea697fad45cc1e2073d6940933ba2e7/-2025-12-24-11.47.38.png" /&#62;
&#60;img width="946" height="524" width_o="946" height_o="524" data-src="https://freight.cargo.site/t/original/i/430d975c6b7a838faed39a3e34b302ea05204d5b3f69b33bf5cf7f6ba08a548d/-2025-12-24-11.43.34.png" data-mid="242150718" border="0"  src="https://freight.cargo.site/w/946/i/430d975c6b7a838faed39a3e34b302ea05204d5b3f69b33bf5cf7f6ba08a548d/-2025-12-24-11.43.34.png" /&#62;&#60;img width="1060" height="440" width_o="1060" height_o="440" data-src="https://freight.cargo.site/t/original/i/6a9cc9aff1367b72992d4a03ed1a14833b8f1c7219466677dc9959436575e4c9/-2025-12-24-11.54.17.png" data-mid="242150735" border="0"  src="https://freight.cargo.site/w/1000/i/6a9cc9aff1367b72992d4a03ed1a14833b8f1c7219466677dc9959436575e4c9/-2025-12-24-11.54.17.png" /&#62;


	Danfo 是奈及利亞街頭常見的黃色交通車。本作品以 VR 作為媒介，帶領觀者在人來人往的車廂內，體驗日常、聲音與城市記憶，呈現奈及利亞生活的縮影。

Created by: Odi Nwosu, Yumeng Jia, Ying Ju ChenRole: 3D Modeling, AI-Generated Assets, Stylized Textures, Mesh Cleanup, VR Template Setup
</description>
		
	</item>
		
		
	<item>
		<title>Mimi - Digital Concert</title>
				
		<link>https://chenyingju.com/Mimi-Digital-Concert</link>

		<pubDate>Thu, 25 Dec 2025 03:30:02 +0000</pubDate>

		<dc:creator>Ying-ju chen</dc:creator>

		<guid isPermaLink="true">https://chenyingju.com/Mimi-Digital-Concert</guid>

		<description>Motion Capture / XR, 2025
Mimi - Digital Concert


Rainy Night Flowers 雨夜花
“To the island I love, and the flowers that bloom on through wind and rain.”
&#60;img width="1274" height="1370" width_o="1274" height_o="1370" data-src="https://freight.cargo.site/t/original/i/34efcfd371db33c5888e2c4c50c841e6cd2f84496d4dee631a32b08f15d5644f/-2025-12-24-11.21.36.png" data-mid="242150684" border="0"  src="https://freight.cargo.site/w/1000/i/34efcfd371db33c5888e2c4c50c841e6cd2f84496d4dee631a32b08f15d5644f/-2025-12-24-11.21.36.png" /&#62;


	Song - Rainy Night Flowers
Story
The song was inspired by a story Chou heard at a teahouse — about a young woman from the countryside who came to Taipei in search of a better life. Yet her dreams and love were both shattered by reality. Like a flower beaten down by rain, her youth and hope faded too soon.
HistoryThroughout its history, Taiwan was once ruled by the Dutch, the Spanish, and later by Japan. Flower in a Rainy night (雨夜花) was born during the Japanese colonial period in 1934, composed by Teng Yu-hsien (鄧雨賢) with lyrics by Chou Tien-wang (周添旺), and first performed by the singer Sun-sun (Liu Ching-hsiang, 劉清香).

During the postwar and martial law periods, the song was banned for its mournful tone and its melody’s link to a Japanese military song. Still, people sang it in private, and it eventually became a timeless classic of Taiwanese folk music.Modern Revival
In 2021, the Netflix series Light the Night, set in Taipei’s nightlife scene of the 1980s, reintroduced Rainy Night Flower as part of its soundtrack.

Beyond film, the song is also played on EVA Air flights during landing, becoming a familiar melody that symbolizes homecoming and belonging.


Song editing

				
Singer &#38;amp; Sound Mixer: Ying Ju Chen
Musician: Chia Yu Sung
SFX: SoundQ


&#60;img width="2124" height="1232" width_o="2124" height_o="1232" data-src="https://freight.cargo.site/t/original/i/122faef417ca06754f0583bb4b5658adc960afbbf03ce8f0a5cf280be7a87463/-2025-12-24-11.01.18.png" data-mid="242150633" border="0"  src="https://freight.cargo.site/w/1000/i/122faef417ca06754f0583bb4b5658adc960afbbf03ce8f0a5cf280be7a87463/-2025-12-24-11.01.18.png" /&#62;&#60;img width="761" height="379" width_o="761" height_o="379" data-src="https://freight.cargo.site/t/original/i/7412c8232fd43cedadf4aa3a79405f0534f8b5d9d69e46d72ee253a0ac95e9a1/-2025-12-24-11.03.16.png" data-mid="242150636" border="0"  src="https://freight.cargo.site/w/761/i/7412c8232fd43cedadf4aa3a79405f0534f8b5d9d69e46d72ee253a0ac95e9a1/-2025-12-24-11.03.16.png" /&#62;


						&#60;img width="1900" height="1238" width_o="1900" height_o="1238" data-src="https://freight.cargo.site/t/original/i/81795707b9ceefd2a68baed7bdd744cb6b14f99d20356b0c2d79498547a14ff3/-2025-12-24-11.02.24.png" data-mid="242150634" border="0"  src="https://freight.cargo.site/w/1000/i/81795707b9ceefd2a68baed7bdd744cb6b14f99d20356b0c2d79498547a14ff3/-2025-12-24-11.02.24.png" /&#62;

					
Character
Motion Capture&#60;img width="1084" height="225" width_o="1084" height_o="225" data-src="https://freight.cargo.site/t/original/i/e5b8c95a94a98bf47ea373919bdc80559e0b144a9250766f741299857c120beb/-2025-12-24-11.05.32.png" data-mid="242150661" border="0"  src="https://freight.cargo.site/w/1000/i/e5b8c95a94a98bf47ea373919bdc80559e0b144a9250766f741299857c120beb/-2025-12-24-11.05.32.png" /&#62;Facial Capture
&#60;img width="1992" height="1080" width_o="1992" height_o="1080" data-src="https://freight.cargo.site/t/original/i/53f63e8af5fc384437fe818a8de2fba6975307e4352f55f3d3cb76a0e0743096/-2025-12-24-11.11.09.png" data-mid="242150674" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/53f63e8af5fc384437fe818a8de2fba6975307e4352f55f3d3cb76a0e0743096/-2025-12-24-11.11.09.png" /&#62;&#60;img width="662" height="314" width_o="662" height_o="314" data-src="https://freight.cargo.site/t/original/i/825b037ec09cc5181190bacccc780cff06c80683d5f49d738aea791e90fd2546/-2025-12-24-11.15.53.png" data-mid="242150678" border="0" data-scale="100" src="https://freight.cargo.site/w/662/i/825b037ec09cc5181190bacccc780cff06c80683d5f49d738aea791e90fd2546/-2025-12-24-11.15.53.png" /&#62;MetaHuman
&#60;img width="1012" height="437" width_o="1012" height_o="437" data-src="https://freight.cargo.site/t/original/i/625d97f936cb69d8a8bf34d11e6934ed180028c782b3aa30eaf8fcf3f30b71c0/-2025-12-24-11.07.21.png" data-mid="242150662" border="0"  src="https://freight.cargo.site/w/1000/i/625d97f936cb69d8a8bf34d11e6934ed180028c782b3aa30eaf8fcf3f30b71c0/-2025-12-24-11.07.21.png" /&#62;
	Environment
Forest
&#60;img width="1166" height="654" width_o="1166" height_o="654" data-src="https://freight.cargo.site/t/original/i/e34326cb28a44cca0621aa6ee74a87f5fabca1c0a1ebedb5cc3115e67a6b12db/-2025-12-24-11.14.46.png" data-mid="242150676" border="0"  src="https://freight.cargo.site/w/1000/i/e34326cb28a44cca0621aa6ee74a87f5fabca1c0a1ebedb5cc3115e67a6b12db/-2025-12-24-11.14.46.png" /&#62;Stage

&#60;img width="1157" height="652" width_o="1157" height_o="652" data-src="https://freight.cargo.site/t/original/i/e28e9052bbe846a957af4865b63cff2922273b3d28a32d4298a975f3efe6833a/-2025-12-24-11.15.20.png" data-mid="242150677" border="0"  src="https://freight.cargo.site/w/1000/i/e28e9052bbe846a957af4865b63cff2922273b3d28a32d4298a975f3efe6833a/-2025-12-24-11.15.20.png" /&#62;


	以數位演唱會形式重新詮釋臺灣經典台語歌曲雨夜花。

Created by:&#38;nbsp;Anwesha Das,&#38;nbsp;Janki Patel,&#38;nbsp;Keerthana KJ,&#38;nbsp;Odi Nwosu,&#38;nbsp;Ying Ju Chen
Role: Singer, Motion Capture Performer, Unreal MetaHuman, Sound Editing, Visual Effects
</description>
		
	</item>
		
	</channel>
</rss>